Point of View: My Technique/Movement Vocabulary
Technique in dance synthesizes cognitive knowledge about the body with experiential embodiment. My approach seamlessly integrates and internalizes movement principles from diverse styles, including somatic principles, corporeal mime (abstract mime), modern, jazz, ballet, contemporary, and improvisation. Throughout this process, my focus is on movement fundamentals such as conditioning, spatial concepts, weight transfer, internal and external awareness, breathing, connectivity, isolation, locomotion, timing, level, dynamics, musicality, and anatomical knowledge, prioritizing them over the acquisition of a specific style.
Moreover, I apply concepts of two-dimensional space, negative space, and kinesiological rhythm that correspond to the body's physicality as an artistic object into my movement compositions. While the concept as a whole may not be novel, I find my uniqueness in dance by distinctly synthesizing disparate disciplines into a distinct artistic voice.
I strongly believe that creativity in a dance piece is closely tied to technical expertise. It's crucial not to narrowly equate technique with traditional forms like ballet or specific movements but to recognize it as a tool that enhances the embodiment of creative ideas, ultimately convincing the viewers. Therefore, my technical rehearsals and classes emphasize exploring the body as a whole, appreciating the potential range of movement for each individual, and valuing artisanship through progressive repetition.
Moreover, I apply concepts of two-dimensional space, negative space, and kinesiological rhythm that correspond to the body's physicality as an artistic object into my movement compositions. While the concept as a whole may not be novel, I find my uniqueness in dance by distinctly synthesizing disparate disciplines into a distinct artistic voice.
I strongly believe that creativity in a dance piece is closely tied to technical expertise. It's crucial not to narrowly equate technique with traditional forms like ballet or specific movements but to recognize it as a tool that enhances the embodiment of creative ideas, ultimately convincing the viewers. Therefore, my technical rehearsals and classes emphasize exploring the body as a whole, appreciating the potential range of movement for each individual, and valuing artisanship through progressive repetition.
Photo by Woo-Hee Kim
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